The term hipster has, of course, always been notoriously slippery. Back in his 2010 book What Was the Hipster?, Mark Greif described the term as meaning a "consumer" who "aligns himself both with rebel subculture and with the dominant class and thus opens up a poisonous conduit between the two." But in Germany, as elsewhere, the newly discovered hipster is often reduced to its more superficial component parts: "skinny jeans, a bushy beard, bright sunglasses" Welt, "strange, nerdy and somehow different," Sueddeutsche Zeitung, "self-important culture snobs" Tagesspiegel. Here, the hipster is simultaneously a uniform, a cooler-than-thou weltanschauung and signpost of globalized American youth culture and consumerism."We don’t want to cut ourselves off," Knape says, about hipster culture. "I see rap and hip-hop, for example, as a way of transporting our message." In recent years, a number of extreme-right hip-hop acts have emerged in Germany — with names like Makss Damage and Dee Ex. Despite the awkward politics of using hip-hop to preach the virtues of German identity, they’ve amassed a small, but significant presence within the scene. Dee Ex, for example, has over 7,000 likes on Facebook and posts photos of herself in a revealing outfit on her blog. There is now neo-Nazi techno biggest act: DJ Adolf and neo-Nazi reggae.
via Nipsters: The German Neo-Nazis Trying to Put a Hipper Face on Hate | Culture News | Rolling Stone.